The very last was Paris
but who would have known,
it was years
out there east,
Afghanistan, India, or
a year and a half blending
visits to heroin friends
spending time in a Delhi prison
where heroin was
plentiful and cheap,
visiting the Mashhad jail
first stop out of Herat,
where they picked apart
Volkswagen buses
like softshelled crabs
to find what was
the hope of lost minds.
Paris was a city
of light, finally came
through to me what that
meant, the shadows
waning but not gone.
The Greek pouring coffee
on the Boulevard Saint-Michel
mentioned the place
old Sartre was last seen,
with some sweet thing,
and I hunted nights
for the difference,
the in-between
that was my destiny
I thought, or unthought of
making ones own breach.
The final days
done up in mascara,
the boys of the Cordon Bleu
practicing their
orange ducks on me,
without enough for coffee
or bread, the plan
to abandon that old hotel
at night, slip out of the room
shared with a Canadian
student constantly screwing
in her bed just across from mine,
my Indian pilgrimage
like a sore, the world shifting
ever so slightly to the West,
and three weeks til
the flight, and the scotch
and the planned reunion
that lightened my feet
down past Shakespeare & Co
to the Seine to watch
life struggles, sweeping
up things, discarded but by few
or unseen, the continual
renewal, muddy, incomplete,
returning as all we do
from the moment we begin.
George Moore
George Moore has published poetry in The Atlantic
Monthly, Poetry, North American Review, Orion, Colorado
Review, Nimrod, Meridian, Chelsea, Southern Poetry
Review, Southwest Review, and Chariton Review; and
was a finalist for the 2007 Richard Snyder Memorial
Prize, from Ashland Poetry Press, and earlier for
The National Poetry Series, The Brittingham Poetry
Award, and the Anhinga Poetry Prize. He has three
collections in print, the most recent, Headhunting
(Edwin Mellen, 2002), is a travelogue of ritual practices
of love and possession. He's recently become the managing
editor or Poets Chapbooks (.com), and teaches with
the University of Colorado, Boulder. Most recent is
work in collaboration with a number of artists internationally,
both in Spain in 2007 where he did an installation
at Can Serrat, outside Barcelona, and another planned
for Skagaströnd, Iceland, as well as a reading
in Portugal, both in 2009. |