Signal:
bells through the kitchen
under the broom the sink
ringing
all day
in one a voice
napkin-rings to a fine sheen
you
choose quickly per person
let rise punch down room temperature
there's
an echo: covet the cold
paper curls in typewriters
St. Teresa
over
the meatgrinder Anne
Boleyn
aches deeply at the door
a pencil
sharpened
with a knife Beloved
on the shopping list. The
winter, no oil,
light
the oven with a match
candles in milk bottles wrists
under the faucet
stirring
pots of steaming water on
the stool
with magazines looking for warm Victorians
drunk
from windows Christmastime
softly on angelbacks: instead
you find
a
woman cancer
cryogenically
preserved.
Her husband buys a new refrigerator
hides
it on the porch
when she dies
he covers her himself
liquid
nitrogen
stainless steel capsule
in the refrigerator
17 years of maintenance
paid
in advance. On
the next page
Auden is dead no
photos
of
younger men with buckthorn tea
touching handkerchiefs to his mouth
cigarette
still moist dreams
of Iceland
the oven smoke a
hand
refrigerator door
the
pressure in the air
hot fog
rust spreads through the kitchen
ice on the lips
of
a wife ashes
flicked up, his cracking wrist,
she used to clean it, swung at the ice with a hammer
Lauri
Ramey holds a Ph.D. from the University of Chicago, and is currently
Director of the Creative Writing Program at the University of Luton
(England). Her poetry, reviews and articles have appeared recently
in Textual Practice, Wasafiri, Facture, BMa: The Sonia Sanchez Literary
Review, BlackWater Review, Writing in Education and Ishmael Reed's
Konch. Lauri is co-editor with Aldon Lynn Nielsen of Every Goodbye
Ain't Gone, an anthology of innovative post-WWII African American
poetry, forthcoming from University of Alabama Press.
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